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Entry-level positions for aspiring Voice Over Directors at Talkback Casting

For undergraduate students interested in voice-over directing, Amanda suggests entry-level roles as a note-taker or assistant for game developers or sound companies, allowing immersion in "how different directors approach directing an actor." Alternatively, shadowing a voice director is possible but challenging due to industry NDAs.

Entry-Level Jobs, Networking, Audio Production, Voice Directing, Behind-the-Scenes

Advizer Information

Name

Job Title

Company

Undergrad

Grad Programs

Majors

Industries

Job Functions

Traits

Amanda Wyatt

Voice Over Director

Talkback Casting & Directing

Orange Coast College AA degree

n/a

General Studies / Not Applicable

Arts, Entertainment & Media

Creative

None Applicable

Video Highlights

1. Working as a note-taker or assistant for a sound team at a game developer or sound company allows you to observe voice directors and their methods firsthand.

2. Shadowing a voice director offers invaluable experience but is more challenging due to confidentiality agreements.

3. Networking and building relationships with voice directors can lead to shadowing opportunities or other entry-level positions within the industry

Transcript

What entry-level positions can an undergraduate college student consider in this field?

There are several ways to get to know how different voice directors work with actors. One exciting option is to find a position as a note-taker or assistant to a sound team at a game developer like EA, Sony, or Activision. You could also assist the audio team or writers, which would give you face time in the actual booth and control room to absorb how the job is done.

Another route is to work for a sound company that handles the recording. The sound studios I go to every day sometimes have note-takers and assistants. They basically take notes, and I'll call out which takes of each line I like. They circle those takes, and ensure those are the ones edited and delivered to the client.

I've seen younger folks, and not even that young, get into this line of work this way. It's a chance not only to meet people but, more importantly, to absorb and see how different directors approach directing an actor. I do it one way, and other directors do it differently. I think it's a great way to find how you might want to do it and create your own special sauce.

A third way is to try and befriend or contact a voice director who might allow you to shadow them. This is the toughest angle, mainly because we're under so many NDAs. We can't even let family members into my Zoom sessions because everything is so top-secret. So, it's a rougher way of going about it, but it is possible.

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